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Broadway Consulting Group

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39 contributions to Broadway Consulting Group
Tip of the Day #13
Preparation is key! Where’s it’s an audition, submission, or speaking at an event. Preparation is what’s goning to support you in yielding the results. So make a plan, and give yourself the gift of setting yourself up to win. Because when Preparation meets with Chance is when those “Once In A Lifetime” opportunities happen. You got this!
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5 Min until our LIVE Q&A!!! Let's Go!!!
Put your Curiosity Cap on, and come get your answers!
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The next steps?
You’ve read a great book, you’ve seen it in your mind on stage as being a great play, you’ve outlined the Acts and scenes. What next to move the concept forward? Write the script? Have it read and rewrite? Contact the author/author’s agent?
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New comment 2d ago
Great question. STEP 1. OPTION THE BOOK!!!!! Remember to the option the book first. You don't want to waste all that time writing, and re-writing, and getting super passionate to the idea, when the author won't let you option the book for a stage production. -------------------------------------- FOLLOW UP QUESTION (Bruce I'm attempting to read your mind here). HOW DO I OPTION A BOOK? Another awesome question. STEP 1. Retain a Theatrical Attorney (Yes this will cost you some money -- but Trust me, You get what you pay for, especially with important Agreements/Contracts) STEP 2. Tell the Attorney you'd like to option the book to write a stage version of it. You'll need to know ahead of time if this is a musical or a play that you want to create. STEP 3. Attorney writes a contract and you review it (I'm optioning a piece right now, and this is the stage I'm at). You can also, hire me to review it with you if you like. STEP 4. The Negotiation -- NOW this is why you want a good theatrical attorney, and I mean a GOOD one. There are definitely attorney's out there who will drag out this process, and make it as expensive as possible. The really good ones will not do that, b/c they will want to either -- A. Be your representation to help you get the script picked up by a producer (and they may know a few) -- B. If you're a producer, they may hope you'll hire them as Production Council which would be VERY lucrative for them. Either way is a an additional income stream for the attorney, so if they are a good attorney, they will be aware of that will be moving forward in a fast way. STEP 5. Sign the Deal STEP 6. Keep up your end of the Bargain. If you have 18 months to get to a draft of the Script, then DO IT! If you have a 18 months to get to a reading then DO IT! Just keep up your end of the bargain so you stay in good standing with the option. Let me know if there are any other questions about this.....or if you guys would like an exclusive video or Master Class on the Subject
Tip of the Day #12!
Being focused to get to the goal. Okay, I hear a lot of what I call "Spray and Pray." It's when someone is not sure of what they want, or are afraid to commit 110% to what they want, so they put effort out on multiple fronts and don't really get done what they set out to get done because their efforts are spread to thin. Take the time to pick a focus and a goal. I'm not saying you can't take a side road and go off on an adventure in your career. What I am saying is if you want to either be performing on Broadway, have a show on Broadway, Design a show on Broadway, or Produce on Broadway....pick a lane to start in as your goal. Other opportunities will show up! Think about this, if you want to perform on Broadway, then where do you fit the Broadway Landscape? Meaning, what roles are out there that it would easy for you to slide into? If you're a writer, looking to write on Broadway....are you looking to create a commercial show or is there a Broadway non-profit you'd prefer to work with? If so when choosing what stories to pursue writing and rewriting, this should be something you think about. If you're a producer, are you looking to produce shows that you think are commercial and will have good ROI, or that are artistic and may not have good ROI? Do your investors care if they loose their money? Are they doing this for the ROI or the experience? Which investors do you rather have? (Keep in mind you as a co-producer or associate producer only make money if the show Recoups -- Did that just change how you're thinking about this right now?) A goal helps bring everything into focus....definitely go off on career adventures....in the meantime, start with a clear defined goal, and you'll have North Star to set your compass upon today. I'd love to hear your answers in the chat, and more questions.
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Tip of the Day #11!
Be there for Friends. Your Network is your Net Worth. It is especially true in the Theater Industry. As you go up the ladder, the smaller the circle becomes. Theater producers find a circle they like to work with, or like to run with. You'll find partners in the industry you work with time and time again, both creative and financial. So take good care of your Network. Be there for your friends in good times and bad. Do your best to treat people the way you want to be treated. You never know who will be there when you need it most, but without a network, there will be no one there. So make it a priority. An easy tip to do this, is reach out once a week to someone. It can be a simple, "Hey, how are you doing?" text message, or for some of us in here who prefer a phone call -- give a quick buzz to see how your friends are doing in the industry. You may learn something that surprises you, about your friend or about the industry, you never know. Let me know your favorite ways to keep in touch, as well as network in the industry, I'd love to hear what you guys do. Remember to ask questions, I check every day, and mark your calendar, our next LIVE Q&A is Tuesday!
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Stephanie Rosenberg
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@stephanie-rosenberg-4187
Tony Award-winning Broadway producer with a passion for helping you succeed. Let's make your Broadway dreams a reality together!

Active 14h ago
Joined Aug 19, 2024
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