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Jan 29 in
Introduce yourself
Hello! If you're new here, I'd like you to comment below with • your name • your location • your favourite typeface • anything else you'd like to share
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New comment 22d ago
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Jan 29 in
About the journey to the Typographic North
Hello type enthusiasts! I am Kristen, the creator of this community. I've made this place for all of us to have distraction-free, interesting and fruitful conversations about typography, type design, book design, publication design and related matters. I've been looking for such a community for years but found alternatives very noisy and dispersed. So I've decided to build this one. I hope you will join me in creating something great. Years ago I embarked on a journey towards writing a newsletter about my musings on typography, but a busy life, lack of focus and probably a fair amount of insecurity halted my progress. My hope now is that onboarding more people with similar interests will help me (and everyone here) to develop thoughts on these subjects. So, it's a journey we make together. I do not know where the winds take us but I hope that we can have informal discussions, share what we're working on, link to inspirational resources and learn from each other on our voyage. Please feel free to make posts about anything you believe is relevant to the group, and comment on other posts to create an engaging community of type friends. And if you have type friends out there, please invite them into this group, so we'll have more people to learn from. See you in the discussions! All the best, Kristen ––– Rules for this group: • No promotions, spammy posts or unsolicited direct messages • Posts must be reasonably related to type, design or creative arts See something you don't like or find noisy? Please report such content to the admin.
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Oct 15 in
Helvetica or Times?
You're facing a terrible choice. The world is devoid of typefaces, fonts have been dissolved into faint memories. Those glorious font selection menus cut down to a binary. Written communication persists, though; even though the selection is slim, you have options: Times New Roman or Helvetica. For all time. Which font will you use in all applications, forever? Why?
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New comment 25d ago
Oct 21 in
What would you like to get out of this group?
Hello type enthusiasts. I started this Skool group as an extension of my Instagram and later my newsletter. None of these outlets have been particularly active, and I'm now in the process of rethinking Typographic North as a whole. As a part of this process, I would love to hear your ideas about what this Skool group could become. Here's a few ideas that have been brewing: • Offer introductory courses in book and publication design • Offer Indesign and Affinity Publisher tutorials • Have recurring informal calls for members. Coffee hours, virtual co-working sessions, hangouts. • Arrange a book club • Create and share templates of various sorts Do you have any wishes or ideas for this group? Let's hear them! Together, we can shape this community's future. – Kris
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New comment 29d ago
Aug 15 in
The stroke. Theory of writing.
By Gerrit Noordzij. I’m about to read this small book and try to understand more deeply the relationship between culture, technology and the forms of the letters. Is anyone here familiar with this book and Noordzij’s ideas? Synopsis: “Published in Dutch in 1985, The stroke now appears for the first time in an English-language edition. The book puts forward a genuine theory of all writing, with any kind of implement: thus it covers both western and what we call ‘non-western’ writing. Noordzij starts from basic principles, and gives his attention first to the space around the letters: the white space that serves to define and distinguish what any letter is. He describes in minute detail how the strokes of writing can be formed. Here he uses simple geometrical concepts to underpin his descriptions. So the book is far from a work about art calligraphy and beautiful forms. Rather it is a sustained description of the phenomenon of letters and how they are made in writing. Noordzij’s theory serves to repair the split that grew up, with the invention of printing, between written and typographic letters. He shows us the underlying ‘written’ quality of all letters, with whatever technology they have been formed. With these ideas Noordzij can be seen as a prophet of digital typography, in which typefaces have been freed from the constraints of their embodiment in metal.”
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skool.com/typographicnorth
A group of graphic designers, type designers, type users and enthusiasts sharing thoughts about fonts and typography.
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