I must say that I find that pretty lame and if I found out an artist I liked was doing that I'd have a long hard think, honestly. I like music that comes from the heart, from direct experience and that goes over the nature of humanity. Using AI to conjure up lyrics - I mean no matter how good the lyrics are, you didn't write 'em, so I just can't see how you could connect with them when they're not your personal experience. With that said, that's also true of cover songs and songs another songwriter wrote for you. And you can usually hear the difference, honestly, unless it's a cover song that you strongly relate to, the magic often just isn't there.

Not struggling anymore 🙂 just enjoying the process now and sometimes solving a little acoustic puzzle here and there. 18 months since I joined TRE, but to be fair I've spent a crazy number of hours in that time learning the skillset.

I've been using this for a few weeks. It's pretty good 🙂

@J Es the learning curve is trivial, it has lots of presents sorted by drum type (eg. kick/snare/perc), you just need to adjust the sensitivity to pick up each hit so that it triggers correctly. Two remarks though: - It's always set too loud by default, so I always have to turn the layers down - I'm not sure it has velocity sensitivity. For instance Trigger2 can sense the velocity of the hit it's replacing and adjust the sample accordingly, but snapback doesn't seem to be able to do that. Apart from those remarks it sounds fantastic 👍

Well I was just thinking about this very subject yesterday as it happens. How bizarre! Tambo is incredibly versatile and works well on nearly everything. But there's one place where it's just gotta be a cowbell and that is techno. If you want to trance out with the deepest groove nothing beats a cowbell for that deep sound in a build, imho. But for everything else that tambourine is just the perfect elevator for your choruses or even a little riser between sections.