Activity
Mon
Wed
Fri
Sun
Dec
Jan
Feb
Mar
Apr
May
Jun
Jul
Aug
Sep
Oct
Nov
What is this?
Less
More

Memberships

Fix-The-Mix™

Public • 24.6k • Free

Intro to Music Production

Private • 2.9k • Free

Unison Producer Growth Hub

Private • 23k • Free

19 contributions to Fix-The-Mix™
What is the reason behind adding 3db of gain into last limiter and seeing 3db of gain reduction when mastering?
I learned a lot from the Intro to Mastering event, but one of the things Caleb was talking about was adding 3db of gain into your last limited and seeing 3db of gain reduction. What is the reason behind this? What does it mean if I add 3db of gain and I’m seeing more than 3db of gain reduction/how would I fix that? Less than 3db of gain reduction he said was fine. Just curious on what is the reason behind this and if it is going slightly over 3db what I would need to do to fix it if that’s a bad thing.
4
29
New comment Sep 7
2 likes • Sep 7
@Berlin RedluX I’m not sure if there is a username or not— but I have the same name over on the membership platform— Rafael Gonzalez.
1 like • Sep 7
@Berlin RedluX got it— thank you !
Workflow/method of operations in mixing?
I have learned a lot from Fix-The-Mix but I am a very methodical person and would prefer a set order of operations when mixing. In one of the videos I watched, Jake approached the mix by addressing each frequency range, starting with low end then going to mid range then high end. In other videos he just jumps right in and just addresses the problems that he heard from the listen through in no particular order. Then in the most recent one he started with vocals first for some reason (which I didn’t like lol). Definitely noticed that spatial processing is always after everything is fixed and enhanced. That being said, does anybody have a preferred method of operations? For example, should I do things in waves (address frequencies for all the tracks, then address dynamics for all tracks)? Should I go by frequency range (address frequencies & dynamics in low end, then move to mid range, then high end)? I like structure and I feel like the workflow is too messy/unorganized if I just try to mix based on what ever problems I’m hearing and write down. Would really love to hear anyone’s recommendations. Trying to watch more videos to see Jake’s typical workflow but he seems to change it up
1
11
New comment Aug 19
1 like • Aug 13
@Phillip Patterson sorry yes the session prep and volume only mixing has been the most clear and essential part to what I have learned so far. It’s the further processing that is tripping me up a bit. Since I’m not as experienced as Jake it’s hard for me to just go based on gut and start mixing based on whatever problems I hear. I’m looking for the workflow after getting a volume only mix. So basically for mixing instruments and drums how should I address it? Should I just go by instrument and address the dynamics and frequencies by frequency range, or should I just address frequencies of all instruments then move onto addressing dynamics of all instruments? Thanks for the response!
Question about membership
Will we still have access to fix the mix or the replays or will that now be part of the paid membership? I did also see are the free courses now moving to that paid membership? If so what will happen to this space? Will it remain just as a support community?
7
102
New comment Aug 19
3 likes • Jul 30
Hi, just read this over I was wondering the same thing. So to clarify the free courses are still there and so are the event replays? Will the even replays remain free? And also is future FTM events going to remain free?
Acoustic Panel installation
When installing acoustic panels, should they be flat to the wall (no space between the wall and panel) or do I leave some space between the wall and panel? Or does it not matter?
3
6
New comment Aug 3
Why does Jake/Dane have the SoundID plug-in off when mixing and mastering?
Was just looking through Fix The Mix events and the How To Master Your Music 6 hour course and they have SoundID on their Stereo Output chain, but don’t have the plug-in activated. Is there a reason for this?
2
25
New comment Jul 29
2 likes • Jul 19
@Steve Denney wow don’t know why I didn’t think of it that way. Totally get it— thanks for pointing that out to me!
2 likes • Jul 19
@Nick van Drunen got it totally makes sense!! Don’t know why I didn’t think about it this way— thank you
1-10 of 19
Rafael Gonzalez
4
32points to level up
@rafael-gonzalez-2097
Hi looking to learn producing

Active 10d ago
Joined Jan 11, 2024
powered by