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New issue is live: Scorsese is storyboarding with AI
The new AIography newsletter is out, and it is worth five minutes of your day. Here is the short version. Martin Scorsese, maybe the last director you would expect, just told the New York Times he used AI to storyboard his next film. The headlines are already getting it wrong, so I wrote the accurate read: he used it for previz, the sketch stage, to get the pictures in his head in front of his team faster. He did not replace actors. He did not replace his crew. The movie still gets shot, in camera, with real people. Previz, not replacement. That distinction is the whole story. The issue also covers the new tool that just took the top spot for AI video and the one piece of dubbing software that is actually good enough to use this week. Best part: there is a move in there you can steal today. The same thing Scorsese did, scaled down to your desk. Read it HERE
New issue is live: Scorsese is storyboarding with AI
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Welcome to AIography 👋 Read This First 🚨
Before you jump in, there’s one important thing to understand about this community. AIography exists to explore how AI is reshaping filmmaking, storytelling, and creative workflows from script to screen. This is a place for learning, sharing experiments, asking smart questions, and helping each other navigate a rapidly changing creative landscape. To help keep the signal high and reduce spam, posting is unlocked once you reach Level 2. You’ll get there quickly by engaging in discussions, reacting to posts, and participating thoughtfully. What this community is NOT: - A place to pitch “make money” schemes - A place to drop affiliate links, funnels, or cold offers - A place to self-promote unrelated products or services If your first instinct after joining is to sell something, this is not the right room for you. What is encouraged: - Thoughtful discussion around AI tools and workflows - Sharing work in context (what you tried, what worked, what didn’t) - Helping others learn and think more clearly about AI and creativity - Genuine collaboration and curiosity Promotion may be allowed later and in the right context, but it is never the starting point here. Posts or comments that ignore this will be removed. Repeated behavior will result in removal from the community — no drama, no warnings loop. We’re here to build understanding and craft, not noise. If that sounds like your mindset, you’re in exactly the right place. If not, it’s better to know that now. — Larry
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🚀 Founding Members Is Now Open — $29/Month, Locked In For Life
I just posted something I've been working on for a while, a video that explains exactly what AIography is, where it's going, and why I built it. The short version: I've spent 40 years editing at Warner Brothers, Sony, Disney, HBO, and Netflix. I was there when Avid replaced film. I consulted on Final Cut Pro before it had a name. Every time a transformative technology hit, I watched the same thing happen: everyone focused on the shiny new thing and forgot about the craft. It's happening again with AI. And almost nobody is talking about story. That's what this community is about. 🎬 Watch the video below. If what I'm saying resonates, I'm now offering a Founding Member tier for $29/month, or pay annually and get two months free. Locked in for life. Full access to everything I'm building: courses, live workshops, Lumarka early access, and direct access to me. This window won't stay open forever. Head to the Classroom and hit the Founding Member upgrade. Then come back here and introduce yourself. I want to know who's in the room.
🚀 Founding Members Is Now Open — $29/Month, Locked In For Life
Special Edition: I recapped all of AI on the Lot 2026 for you
I just spent two days at Amazon/MGM Studios in Culver City at AI on the Lot, the biggest AI filmmaking conference in the world, and I wrote up everything for this week's newsletter. It's a long one, on purpose. Paul Schrader got up and explained how he's writing with ChatGPT now. (Spielberg, in the same week, said there's no substitute for the soul about AI). Studios that wouldn't say "AI" out loud two years ago were on the main stage with their names on the work. And the films aren't hypothetical anymore; they're shipping, and a few are selling. I covered every session I could get to and owned up to the ones I couldn't, since I still can't be in two places at once. Read the full thing here. If you read it, I'd love your take below. What surprised you? What are you going to try?
Special Edition: I recapped all of AI on the Lot 2026 for you
GUCCI AI Fashion Film | Seamless Style Transformation Journey
Step into a world where luxury fashion meets AI-powered creativity. This cinematic fashion film showcases a series of high-end Gucci-inspired looks, seamlessly transforming through futuristic environments, architectural spaces, glowing portals, abstract geometry, and luxury runway aesthetics
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AIography
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Hollywood craft meets creative AI. Learn how to generate studio-quality content, secure clients, and get paid. From someone who's actually made films.
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