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The Lost Futures

Public • 19 • Free

2 contributions to The Lost Futures
The Psychology Of The Edit
I am going to share with you a podcast that I made with one of my close friends Maia Dal Berger, we are both editing nerds who love the psychology of the editing process itself. https://youtu.be/MMHkX4b4G9Y?si=3lzmvmPa2Qxxs5d9 On Spotify https://open.spotify.com/episode/4nkfIrjSDuI8fXZTgGvNrM?si=Cf6b746uRe2-D5cZQT-rHA This was for a short series I did called 'Creative Rituals' before I decided to go 100% into The Lost Futures. (Please keep in mind that my old name used to be Jesse Chard. I will talk about why I changed my name at a later date.) If you have any interest in editing you'll get a LOT from this episode. It's one of my favorites.
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New comment 11d ago
The Psychology Of The Edit
0 likes • 15d
This was fascinating and super insightful. Thanks for sharing!
Welcome to The Lost Futures
G'day! I'm Luke Burton, founder of The Lost Futures, and welcome to my Skool page. I am an artist, composer, filmmaker and director/producer with 25 years experience in cross discipline. In my 'corpo' life, I have worked directly with Google, Kathmandu, Suntory, Nat Geo, Lonely Planet, World Nomads and many others across countless campaigns. In my 'underground' life I have been an artist and performer for many years and have done shows at Dark Mofo festival and countless shows across Australia. I currently do work with Awesome Soundwave, the live techno label owned by Carl Cox and Christopher Coe. The Lost Futures is my current, on-going art/film/music project but I am also using it as a vehicle to help educate, inspire and lead by example by showing my processes across all disciplines in real time. ---- Here, we’re diving into the deep end of creative chaos, from the wild techy stuff to the raw, real principles that keep it all grounded. Here’s what I’ll be serving up and a little about me: 🎨 Synthographic art My workflows and how to craft my signature Cyberdelic Hyperloops. Right now I reckon AI and its employment is some of the craziest shit you can imagine. It's controversial, everyone has an opinion, but I know one thing is for sure. There's no way I could make any of the work I do right now *without* AI. The process of psychologically interfacing with the machine system is part of the art in my view, and ill be going into great detail on this topic, and most importantly, show you how I make it all. 🎶 Sound wizardry Composition, synthesis, sound design, and all the sonic insanity you could imagine. Here I will be doing all kinds of breakdowns across the compositional processs - I am largely electronic but a lot of the principles apply to any genre. From gear tutorials to synthesis insights through to developing music language and the importance of building a musical pallete to draw from. 🎬 Editing & filmmaking Especially doco-making because real stories hit different.
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New comment 10d ago
2 likes • 16d
Hey folks, I'm Dean. By day I'm an eCommerce Director for a small company in Ohio but for the last 18 months or so I've dove head first into the creative side of AI. I mainly live somewhere between weird for weirds sake and a little dark in my Midjourney journey(?), but the rise of these new video tools has me pretty excited. I generally like to create in more of a photorealistic feel (with the end result clearly not reality). My college and early background was in film (love love love editing) and its feeling good to get back to playing in that medium (in an alternate reality I made music videos for a living - so the audio component to all this is important to me as well) - Excited to be here! I'm in that mode where Im making stuff faster than I can share - most of my weird is here - https://www.instagram.com/spipasucci_ai/
1 like • 16d
@Luke Burton Wow, thanks! Really appreciate that! That's a great question on where I want to take this journey. I'm definitely really enjoying doing my own thing right now, but I'm sure I'd be totally open to bringing it to a client in some way. I love learning how others work in the medium and I still feel kind of like a kid in a candy store. I think a strength I've found is how to push the 'machine subconscious' into weird realms and work in tandem with it - the downside (or at least part I'd like to get a bit better at) is focus of a project. I do a chunk of collabs because it gives me a theme to work with - when I'm going solo, I get very wrapped up in the 'play/experimentation' of it all - always fun, but I do end up trying to craft some kind of cohesive posts out of a lot of randomness. I think this is fine for the images and I decided to take ownership of my "kind of all over the place" style, but with the video work in particular I want to get more structure and plan around making a short or music video with some cohesion versus a lot of whimsical "let me see what weird thing I can make this image do". Maybe some storyboarding or at least a story idea. Cannot wait to digest some of your insight and process tips!
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Dean Bianchi
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2points to level up
@dean-bianchi-9105
Synthography exploring weirdo

Active 10d ago
Joined Dec 4, 2024
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