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Audio Artist Academy

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Audio Artist Rise

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21 contributions to Audio Artist Academy
Introduce Yourself! (🔥Start Here in THIS thread)
Hey! Welcome to the Audio Artist Rise Community! This community helps music composers improve, optimize, and inspire themselves as they enter or progress in the audio industry. Step #01: Introduce yourself in THIS thread below! (✄ copy/paste template 👇) What are your goals? What is your current demo reel? What immediate help do you need? **Please DO NOT make a new post, as those clog up the feed (they will be removed). ------------------------------------------------------------------ Best practices in this community: • Level up by posting insights and thoughtful comments. • Help others level up by liking 👍 good posts and comments. • Be kind • If you want to reply to a post, make sure to use REPLY instead of creating a new post • If you need quick help, you can also ask the community 🤝
Poll
346 members have voted
146
2.4k
New comment 44m ago
0 likes • 8d
@Craig Hall welcom e :)
1 like • 6h
@Nikolas Fotiadis welcome :)
Copyright
Sorry for ringing the AI bell again Me And Alex briefly talked about AI on yesterdays call, his point , if I remember correctly, being that the general Copyright Chaos involved with it will leverage us as composers in the future to potential clients since we create music that can be verified in terms of copyright. So conicidently today this video came out by one of my favourite creators https://www.youtube.com/watch?v=LrkAORPiaEA My question: If AI cant have copyright, how can people copyright claim your past or even future music for sounding similar to AI generated tracks? While it seems possible to defend past work against this, once AI basically copied my style of writing, how can I continue sounding like myself in the future? Will we have to King Gizzard our creations, changing colours/genres often enough to not be caught by AI Rip offs chasing us? Or is this the dawn of a golden era for progressive music being to complex/long do be emulated with prompts only? D be interested in ur thoughts on the matter
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New comment 5d ago
Copyright
0 likes • 5d
@Gavin Nellist yep super interesting, i thik the more complicated this whole AI copyright situation gets the better tings might actually look for human composers professionally in terms of work opportunitys, however things re moving fast and it helps to stay updated, and quitting is not on the table, if it was the 1000 others logical reasons d have done me in long before AI ;)
Any opinions/experience with these Studio Headphones?
Wanna get some open back Studio headphones for mixing, deciding between these 2, anyone has some experience with one of them ? :) Beyer Dynamic 990 pro X VS Sennheiser HD 400 pro https://www.thomann.de/at/beyerdynamic_dt_900_pro_x.htm https://www.thomann.de/at/sennheiser_hd_400_pro.htm
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New comment 8d ago
1 like • 15d
@Geoffrey Schumann thanks for the tip geofrey :)
0 likes • 8d
Tried to try em but apparently music stores here dont let u do that really, ended up with the beyerdynamics, also for nostalgia reasons as we used em in the studio back when I was in Berlin. I love their sound ,they re especially great for guitar playing since I get the DAW distorted sound and the unamplified stringnoise as well, only big drawback for me is the spiraled cable, drives me fcking nuts, its like somebody tapping on ur shoulder every 5 seconds when u try to focus^^
Winners Announced - Heavyocity Giveaway!
Hey all, here are the winners of the Heavyocity Giveaway! Huge congrats to: 1st place: Daniel Lupan - The Heavyocity Premium Bundle! 🚀🎉🚀 2nd and 3rd winners - Mikolaj Rejzner & Ozan Turgay - A copy of Heavyocity Oblivion! 🎉 I will contact you via PM and then tell you how we proceed!
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New comment 10d ago
Winners Announced - Heavyocity Giveaway!
2 likes • 11d
Congrats! :)
Your thoughts about Audio Artist Rise Live Calls
Hey everyone, I quickly wanted to ask for your input regarding the live calls. Currently there are six weekly live calls happening of at least 60 mins in my Audio Artist Rise Program. All times are CET. Mo - 6pm to 7pm Tue & Wed 10am - 11am and 6pm to 7pm Thu - 10am - 11am What do you think about making all the calls 90 minutes instead of 60mins but focusing on Tuesday and Wednesday only? By doing this we would have more time for track feedback, presenting solutions for your problems and help you with whatever situation you are currently in to. So, instead of the current schedule mentioned above, it would be: Tue 10am - 11:30am and 6pm to 7:30pm Wed 10am - 11:30am and 6pm to 7:30pm What do you think?
Poll
22 members have voted
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New comment 24h ago
2 likes • 14d
I havent been attending for a while now since I wanted to spend the time focussing on practising/developing the techniques shown in the program, but am looking forward to jumping back in soon :) . Personally 90 minute calls d be a great opportunity for talking more in depth about tracks etc, but given we are quite a few people, those who are more busy those days d be at a disadvantage. Maybe it d be an idea to alternate? Like one week with several 1 hrs calls, one week with 2 days haveing 90min calls and maybe specifiy topics (general questions vs feedback f.i.)? Of course I am in no place to tell you how to run ur program, just brainstorming :)
2 likes • 14d
@Shawn van Staden personally I d love to finish a day with these calls but usually have guitar students till 7 pm which means I can only attend em in the morning, but i think both options have morning/evening slots so we should be fine :)
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Clem Hackmack
4
39points to level up
@clem-hackmack-7596
Been a guitarist for the past 17 years of my life, around 7 of em professionally. Lately I found a strong passion for composition and sounddesign

Active 2h ago
Joined Apr 24, 2024
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